Maureen Mauk (2023)
The Grown-Ups in the Room: US Television Standards and Practices and Parental Controls from the Dial to the Digital
Crunchyroll
Laura Schumacher (2023)
How to Be a Feminist: Media, Gender, and Age in the Era of Instructional Feminism
Anthony Twarog (2023)
The How-To Screenwriting Industry: Reverse Encouragement, Gatekeeper Lore, and the Business of Professionalization
Lauren Wilks (2023)
“I’m Rooting for Everybody Black”: Black Feminine Resilience and Celebrity in US Media
Trinity University
Susan Noh (2022)
Global Media Streams: Cosmopolitan Streaming Platforms and the Contemporary Ecosystem of Anime Distribution
Oglethorpe University
Yizhou (Joe) Xu (2022)
Involution Nation: Passion, Place and Precarity in the Chinese Mobile Tech Industry
Old Dominion University
Jacob Mertens (2022)
Gaming the System: Digital Revisionism and the Video Game Console Industry
Manchester University
Wan-Jun Lu (2021)
Sites of Confluence: Curating Cosmopolitanism in the Digital Age
University of San Francisco
Nicholas Benson (2019)
Create, Reboot, Repeat: Franchise Management and Textual Evolution in the Cultural Industries
State University of New York at Oneonta
Caroline Leader (2019)
Branding the Disney Princess: Femininity, Family, and Franchising
Avanade
Camilo Cesar Diaz Pino (2018)
At the Center of the Periphery: Remediating Anime to and through Mexico City
West Chester University
Christopher Cwynar (2017)
Waves of Renewal: English-Language North American Public Service Radio from Television to Mobile Media
Trent University
Taylor Miller (2017)
Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear
University of Wisconsin-La Crosse
Anthony Tran (2017)
Digital Diasporic Cultures and Everyday Media: the Vietnamese diaspora in Vancouver, Canada
Boston College
Andrew Zolides (2017)
Cult of Personalities: the Influence Economy of Digital Culture
Xavier University
Andrew Bottomley (2016)
Internet Radio: A History of a Medium in Transition
State University of New York at Oneonta
Lindsay Hogan (2016)
Producing (Be)Tween Stars and Screens: Stardom and Youth Media Cultures
Boston College
Sarah Murray (2016)
Get Smarter: The Wearables, Carriables, and Shareables of Digital Self-Actualization
University of Michigan
Eleanor Patterson (2016)
Radio Redux: The Persistence of Soundwork in the Post-Network Era
Auburn University
Alyxandra Vesey (2016)
A Synchronous Process: Musicians’ Labor and Identity as Television Industry Practice
University of Alabama
Evan Elkins (2015)
Regional Lockout: Geographic Restrictions, Digital Entertainment Platforms, and Global Cultural Difference
Colorado State University
Kit Hughes (2015)
Corporate Channels: How American Business and Industry Made Television Useful
Colorado State University
Myles McNutt (2015)
Location, Relocation, Dislocation: Television’s Spatial Capital
Old Dominion University
Kim Bjarkman (2014)
‘Not The Cosby Show’: Comedy in the Age of Irony and Political Incorrectness
Kyra Hunting (2014)
Genre’s Disciplining Discourses: Cultural Difference and Contemporary Genre Television
University of Kentucky
Danny Kimball (2014)
Policies, Pipes, and Publics: The Politics of Net Neutrality Discourse and the Regulation of Internet Infrastructures
Goucher College
Dorinda Hartmann (2013)
Reach in and Touch Someone: Communication Technology and Cultural Fears of Sexual Predation
Library of Congress
Josh Jackson (2013)
Streaming Screens: YouTube and Redefining Cultural Production
University of California, Berkeley
Josh Shepperd (2013)
Electric Education: How the Media Reform Movement Built Public Broadcasting in the US, 1934-1952
University of Colorado, Boulder
Elizabeth Ellcessor (2012)
Access Ability: Policies, Practices, and Representations of Disability Online
University of Virginia
Germaine Halegoua (2012)
New Mediated Spaces and the Urban Environment
University of Michigan
Nick Marx (2012)
From Bits to Bytes: Sketch Comedy in the Multi-Channel and Digital Convergence Eras
Colorado State University
Sreya Mitra (2012)
Screening the Nation: Producing the Bollywood Star in Contemporary India
American University of Sharjah
Erin Copple Smith (2012)
Cross-Promotion at Cross Purposes: Media Conglomerates and the Logics of Synergy
Austin College