Department of Communication Arts
University of Wisconsin-Madison

Darshana Sreedhar Mini

Film

Assistant Professor

dmini@wisc.edu

https://darshanamini.commarts.wisc.edu/

Current and Future Projects

  • Indian cinema
  • Critical Sexuality Studies
  • Migrant Media and Transnational Cultures
  • Labor in the Entertainment Sector
  • Streaming and Platform Cultures

Expertise and Activities

Darshana Mini’s teaching and research lie at the intersection of feminist media, gender & sexuality studies, transnational media, migrant media and screen cultures of South Asia.

Supported by Social Science Research Council (SSRC), NEH and American Institute of Indian Studies (AIIS), her first book Rated A: Soft-Porn Cinema and Mediations of Desire in India (UC Press, 2024) examines the genre of soft-porn in India and how it impacts public discourse on sexuality, obscenity, sex-work and sex-education. Using archival and ethnographic methods, the project tracks the emergence of the genre in the South India-based Malayalam film industry from the 1970s-2000s, by focusing on the formation of media publics—relationships, formations and exchanges in the public sphere, facilitated by the affective power of media. Her research is based on the idea that while histories and cultures of sexuality are locally specific, they often travel and have impacts in worlds that are not immediate to them. Rated A was awarded The Edward Cameron Dimock, Jr. Prize in the Indian Humanities by the American Institute of Indian Studies in 2024.

Her second book project, Telegeographies of Indian Migration: Media as Transregional Homemaking, locates the media making practices of the Indian diaspora in Southeast Asia and Middle-eastern Gulf. Since the mid-20th century, at least two Asian regions—Southeast Asia and the Middle Eastern Gulf—have been home to different contingencies of migrants who fanned out of the Indian subcontinent both as part of indenture systems, as well as voluntary economic migration. In case of the former, it was indentured laborers who were taken to the Strait settlements in Southeast Asia for plantation labor as coolies under the colonial regime in the late 1850s to the 1920s, and in the case of the Gulf, the primary constituency were economic migrants who started moving out in search of jobs 1960s onwards to transcend the constraints of limited caste and class mobility. In both cases, media forms have played an outsize role in defining the discourses around citizenship and belonging of the Indian diaspora—this includes newspapers and journals, as well as in more recent times, radio, television, film, and the internet. In principle, migrant media as a site of enquiry allows us to examine how risk, opportunities and challenges are navigated by migrant and diasporic communities and documented for the generations to come. To this end, this research will consider materials such as photographs, memoirs and other media-based narratives such as short films, radio programs, and diasporic newspapers to interrogate how migrants negotiate new ways to connect with their host communities, while retaining a relation to the home society. Through this multi-modal approach, this project makes a case for understanding trans-regional specificities and the relevance of media in writing the social history of the region.

Dr. Mini is the Director for Media and Gender Justice at 4W Initiative, and an affiliate of Gender and Women’s Studies, Center for Visual Cultures & and Center for South Asia. She is in the steering committee of Center for Visual Cultures (CVC), Wisconsin Center for Film and Theatre Research (WCFTR) and The Havens Wright Center for Social Justice.

Education

  • Ph.D, Division of Cinema and Media Studies, University of Southern California
  • M.Phil., Center for Studies in Social Sciences, Calcutta (CSSSC), India

Books

Fellowships, Honors and Awards

  • Top faculty Paper, Global Communication and Social Change Division, International Communication Association (ICA), 2025
  • Early Career Award, APAC/SD, National Communication Association (NCA), 2024
  • The Edward Cameron Dimock, Jr. Prize in the Indian Humanities, American Institute of Indian Studies (AIIS) for Rated A: Soft-Porn Cinema and Mediations of Desire in India, 2024
  • Race, Ethnicity and Indigeneity Fellow, Institute of Research in Humanities (IRH), UW-Madison, 2024
  • Byerly Award for Feminist Political Economy, Feminist Communication Division, International Communication Association (ICA), 2023
  • Senior Long-term Fellowship funded by American Institute of Indian Studies (AIIS) and National Endowment of Humanities (NEH), 2022
  • First Book Award, The Center for Humanities, UW-Madison, 2022
  • Library Research Enhancement Grant, UW-Madison, “South Asian Film and Media Collection” (Principal Investigator), 2022
  • Co-organizer Mellon-Borghesi Seminar on “Migrant Media: Activism, Visual Art and Performance,” UW-Madison, 2021-22
  • 4 W Innovation Award, UW-Madison, 2022
  • Exceptional Service Award, UW-Madison, 2022
  • PhD Achievement Award, USC, 2020
  • SCMS Student Writing Award (Third position), 2017

Special Journal Issues (Co-editor)

Articles

 

Book Chapters

 

Forum Pieces/Public Scholarship

 

Courses

  • COM350 – Introduction to Cinema
  • COM418 – Gender, Sexuality and the Media
  • COM443 – Indian Cinema and Beyond
  • COM669 – Film Theory
  • COM950 – Migrant Media and Diasporic Imaginations
  • COM 950- Feminist Approaches to Film and Media Studies