- Teaching Assistant
- 2157 Vilas Hall
- by appointment
My dissertation, Waves Worth Wiring, traces the hard-fought battle to implement stereophonic sound in Hollywood between 1929 and 1959. Other research includes film music composers and performers of the silent era, the cultural history of wire and tape recorders, and the contemporary computer animation industry. I currently serve on the editorial boards for The Velvet Light Trap and The Soundtrack.
- M.A. University of Wisconsin-Madison, 2011
- B.A. Washington University in St. Louis, 2004
- Mellon-Wisconsin Summer Fellowship , Mellon Foundation and the State of Wisconsin , 2017
- The Katherine Singer Kovács Essay Award , Society for Cinema & Media Studies , 2017
- University Housing Honored Instructor Award , University of Wisconsin , 2017
- Chancellor’s Fellowship , University of Wisconsin-Madison , 2016
- Elliott Dissertation Scholarship , University of Wisconsin-Madison , 2014
- Helen K. Herman Memorial Fund Scholarship for academic achievement , University of Wisconsin-Madison , 2013
- Robert J. Wickhem Award for excellence in teaching media production , University of Wisconsin-Madison , 2011
- First Year McCarty Scholarship , University of Wisconsin-Madison , 2009
- 2016. "The Myth of the Speakers: A Critical Reexamination of Dolby History." Film History , Vol. 28, no. 1: 167-193 , https://www.jstor.org/stable/10.2979/filmhistory.28.1.06 .
- 2014. "Synch Holes and Patchwork in Early Feature-Film Scores." Music and the Moving Image , Vol. 7, no. 1: 40-53 , http://www.jstor.org/stable/10.5406/musimoviimag.7.1.0040 .
- CA 613 - The Coen Brothers and Their Influences (reader)
- CA 552 - American Cinema Since 1970
- CA 355 - Introduction to Media Production
- CA 350 - Introduction to Film
- CA 313 - Film Comedy (reader)
- CA 100 - Introduction to Speech Composition